I’ve had my period of playing around, and this is an essay where I wanted to get serious. It’s called “Beyond Socrates: The Philosopher as Creative Craftsperson,” so the topic has a pretty wide scope.
It rides on a few contemporary examples and responds to a half-recent essay by a fellow SERRC member to further develop my philosophical challenge to the philosophical community – Get your conversations out of musty overpriced journals and get them online and into the streets.
Most important to encouraging that profound worldly engagement for philosophy, is writing your conversations in language that’s more accessible to people. I’m not talking about anything so pedestrian (or loaded with the opposition’s meaning) as “dumbing down.” I mean write in the common styles of intelligent discussion that you see in high-quality feature journalism.
Except you’re writing about concepts. Ideas in action through life in society. You’ll find out in more detail soon enough. I’m excited about that one.
• • •
|While searching for images to go along with this post, I also discovered|
this one of Friedrich Hayek relaxing and having a laugh like an
ordinary human being, instead of staring seriously and portentously
into the camera.
I realized that I wanted to get more material on the ideas of Mt Pelerin libertarianism than I had from looking into Hayek. Friedman’s book – and the responses to my posts from other friends at SERRC – helped me wrap my head around an interesting angle about that libertarianism.
Here’s the short version. The original philosophical texts of Mt Pelerin libertarianism – key examples being Capitalism and Freedom and Friedrich Hayek’s The Road to Serfdom – were (most of the time) very nuanced, well-thought texts. But the modern politics of libertarian right-wing activists are brutal, dogmatic, and significantly meme-based.
Where’s the disconnection? You discover that through media analysis of the online social networking platform. Where’s the connection? It’s in the tells of those popular books, the spots where they reveal a blindness.
|It also fits the theme of my last post about my Capaldi Years Doctor|
Who book project, that my research recently is mostly about
returning to ideas that I studied a few years ago to update my
I still feel like I’m not quite saying it right. but I’ll get back to it eventually.
After reading Friedman, I switched tack in my research to fill in some more ideas that I wanted to revisit. That’s my uptake of Antonio Gramsci’s ideas. Thanks to some nerdy tweeting from Jeet Heer, I discovered a few Perry Anderson books, and it made for wonderfully pleasurable and productive reading.
I’ll talk more about my engagement with Anderson’s ideas and interpretations over the next couple of weeks. Here’s basically what he helped me clarify.
The integration of ideology and military power in international hegemony. The complexity of the marxist tradition, which absolutely contradicts all the popular discourse about marxism today. Most of that popular discourse is uninformed far-right smears of all progressive politics as “cultural marxism.”
He also wrote a really good book about caste politics in India, but that’s for another post entirely.
• • •
So I’m going to throw a link to this post up on my Patreon a few hours after it goes live today. Since it works as a general update on my writing projects, and it’s posting on the same week as my patron payouts, I figure it’s a good place to throw it.
If you like hearing about any of these projects, think of pencilling in a couple of bucks each month to support more publications. I’m taking part this year in one really amazing artistic project that could seriously use some Patreon support.
I can’t say anything about it yet, because it’s too early in the production process. The people in charge aren’t me, so I can’t just start yammering on social media yet about its details. But it’s going to be pretty awesome.
That said, its commercial potentials aren’t that great. Which is why I’m blatantly asking for more Patreon support. So if you like sci-fi, and you like the kind of sci-fi I write, and you can spare maybe two dollars each month, hit my Patreon and throw some cash on there.
You'll be helping me produce more super-trippy writing projects. You know you want to do that.